I used three types of paper with varying results as you will see. I finished each with a spritz of the Brusho metallic acrylic in Shimmer Yellow. Each time I painted the daffodil first.
Arches watercolor paper 140# |
The best result was with Arches 140# cold press
The Shimmer spray spread a little, yet retained the metallic effect, more visibly when tilting towards light.
I liked how all the colors (yellow, lemon yellow orange, blue, brown) blended in the petals, but I felt it was more a lucky coincidence. You don't really get a second chance with Brusho once you lay the color down, especially on a grabby surface. I kept dropping in color, blending (trying) and hoping for the best. I thought it made a nice shadow, but with more pigment on the brush I had difficulty softening the edges of the vase. I was able to dip my brush in my water jar and add effects inside.
Bristol Smooth |
I thought the Shimmer spray worked the best with this surface
Somehow my brush picked up airborne brown and green in the yellows cup sections. Not quite the daffodil yellow I was going for. Easy to get softer edges on the vase, but again, not much lifting.
"Exploding Daffodil" What in the name of Sam Hill?! |
The Shimmer spray also activated the airborne invisible Brusho crystals. I tried to blot them.
Keeping it real here, readers.
I still believe that if you have an open mind to an open result, Brusho can be interesting to paint with. And the patience and countenance of a saint. I will reiterate that if you are into card making, journal pages, abstract - Brusho will become your bestest painting buddy.
In the meantime, I have a group date with Daniel and Newton along with my honey, Gustave, later on.
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