Look at all the colors! Sprinkled with the shaker and spritzed with water.
Trying to do a wash -- I thought the left side, which was done with dipping a wet brush into loose crystals on dry paper, shaded nicely and kept more of the pigment. I wet the paper first on the right side and then used the wet brush/crystals, turning it into shades of gray.
So I thought...maybe this would make a nice background for a night sky? Only make it darker. I would add some masking fluid for stars.
Umm. |
I do love Brusho and Saran Wrap, and I am still favoring using this technique with the Bristol paper over the watercolor paper for my defined edges and color.
Saran Wrap on Aquabee watercolor paper |
Saran Wrap on Bristol paper |
I still use the watercolor paper as the base, really going overboard with sprinkle and spritz.
This is what's left
watercolor paper at the end of printing |
The Bristol paper makes great prints - this is the artist tile size
As a point of comparison, here is my workout with Brusho in Gray/Grey.
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